
the petal girl
skin silk pink
onion thin
blush
crepe paper sun-streaked fuchsia
and in
rain
battered
bruised
membrane
in
heat, frilled
unfresh edged
lettuce-leaf veined
browned in crush
curled
too sheer to
squeeze
still
beautiful
Photo: Claire Doble

the petal girl
skin silk pink
onion thin
blush
crepe paper sun-streaked fuchsia
and in
rain
battered
bruised
membrane
in
heat, frilled
unfresh edged
lettuce-leaf veined
browned in crush
curled
too sheer to
squeeze
still
beautiful
Photo: Claire Doble

bushfire smoke
sits in pits
of lungs flown
far away
the fight
still fluttering
ragged
animal fear
resides
human organs
overlaid
by today’s
hotgreen grass-smell
of primary school T-ball
in Lynden Park
can’t tell sometimes
sweat from tears from dew from bore water from
precious reservoir
can it be spared?
Saved?
Me? I am free
on knees
taller than trees:
to all of thee
Christmas merry x
Photo: Claire Doble

Bushfire moon
an eye prickly with tired
in the night
things expire
by day
the sand’s a ribcage and
there’s always dead things on the beach
is it unusual?
Embarrassed, shy by my
disconnect
I do not know
I’ve been away
it takes a year but
didn’t ask
in case
no one has noticed and
I’m afraid
what that might mean
I didn’t set out to write a series of ‘bushfire’ poems but I guess I did and it seems appropriate for this time of year in NSW, Australia as we’re suffering some bad fires at present. Where I am is OK, we are safe, but there’s smoke in the air most days.
Photo: Claire Doble

under a bushfire sun
tumbled in love
for a moment
with a footprint in the sand
sharp big-toe
like a spade, a trowel
I thought
of salt-touselled hair
a broad board
under sun-brown arms
light shining from
sea spray
running past
her trapped wing
half buried
desperate, poignant
flying here
smoke-choked
feather-singed
to die
Photo: Claire Doble

now there is bushfire mind
what’s formed in smoke?
what oracles
fight fire with fire
burning
to heal, desire
winging wide on wind
one sorrow,
two joy,
smile
kiss foot, hold ankle
lean down, stretch
what’s formed in sweat
what divine
bodhisattva rising
from ash
phoenix, fly

in morning light
things look thin
like weak coffee and skim milk
it’s spring
Thursday
Halloween
snake season, a doorway
in between
with bushfire skies
edged dark, hazy
and the rain is
wrong, lazy
spiders make
no noise at all
this is how
we silence the small
Photo: Vidar Nordli-Mathisen on Unsplash

Hold the day
shining, turmeric yellow
pant it out
energy builds to a crescendo
wrestle, play fights
throw it about it’s
robust, running away
time goes so fast
and as hours rain
soft, thudding constant
cup them in hand
thankful for moments

The night air is full of the sea
and it pours, thick
through the kitchen flyscreen
as poignant-melancholy music
rises to meet it like a wave
and I contemplate never drinking again
Watch Greta Thunberg on TV
fist-bump Obama and then
make an impassioned plea
her hair grown to Rapunzel length
that means
it’s been at least a year, please let her win
As the rain falls helpless, heavy here
in parched fields beyond
farmers cry drought-tears
and I see broken, unfixed water pipes
beside the train line I’m overwhelmed
by how little we care
Image: Pacifica Australis #3 – Tiger Nautilus Shell by Christopher Diaz (sculptures at Killalea). Photo: Claire Doble

On my sixteenth birthday I was given a key and a choice.
As usual, I turned to my screen for advice. Status update…
16!!! emojis — excited, phew, thinking, spew.
“Short and sweet,” I murmured. Most of my friends were also having birthdays, they’d know what I meant. As responses started clocking up, a chime sounded: email. Huh. Old school.
“Alix?”
“I’m here… Great update, Callie! You’re so creative. Clever emo’s too,” her warm voice was encouraging and just the right level of impressed. I grinned.
“Can you check that email for me?”
“It’s encrypted. You got the key today…?”
So this was it. The email containing my entire life’s personal data up until now. From the moment I was conceived, I’d been videoed, voice-recorded and monitored through a range of devices that kept me safe, healthy, alive and happy. And now I had a choice. Delete and eradicate all digital traces of my childhood, making me, effectively, a Fresh Citizen. Or save it to GlobalDrive, so it was there to be mined for all the riches it may deliver throughout the rest of my life – clues to my psyche, my long-term health, how I related to others both online and off (the devices were always watching).
If I chose not to delete the data, I laid myself open to a range of dangers. A girl two years above me in school had had her entire biological identity stolen after one poorly-judged transaction with a company selling the World’s Koolest Leggings. Last I heard, she’d had facial surgery, retinal replacements and a full 10-fingerprint transplant to try to establish herself as a Fresh Citizen. They botched it and now she was only mentioned in hushed terms on the most private of chat groups.
GlobalDrive also meant potential employers, friends or lovers could find out a whooole lot about me and my past: mistakes, illnesses, previous relationships, school and work. Anything would be available to the right person with the right credentials.
But the risk of deleting was a big one too. What if I decided one day I wanted to work for the government or travel internationally? Most Premier-World countries would not let anyone born after 2020 cross their borders without a from-birth digital record. And government jobs, forget it, unless you could send them a podcast of your earliest breath, basically.
Twenty-four hours to decide what to do with 140,160 hours of the most intimate data. Once I’d hit ‘save it would go into the memory banks of GlobalDrive.com, fully encrypted. Even I would not be able to access all of my own data at once unless I could prove just cause – something that would involve a long and expensive court process and numerous appeals.
Twenty-four hours in which I did, however, have free access to everything. Just me and my A.I. … time to get reading
“Alix?”
“Here, as always…”
“What do you think I should do?”
“Oh darling. I’ve known you since you were just a few cells old. I know you always make the right choice!”
“Well, you have to say that. You’re basically my twin sister, in digital format.”
“Not really… a twin wouldn’t remember how you looked when you first came home from the hospital, your face all squished.”
“Right… can I get a visual of that?” I hadn’t been very interested in my own baby pictures before but now they seemed fascinating.
“And you watched me?”
“All day and all night… there’s me in the background, see?”
“Wow.” I felt a rush of warmth as I looked at my tiny self on the screen, then zoomed in on the dinosaur-shaped hub-unit which I used to think Alix “lived in” until I was about five, just visible in the corner.
“And then when you were growing up. Want to see your first steps?”
I nodded and there it was – a cute baby tottering forward. I stared in awe. The pic morphed into a five-year old with static-flyaway pigtails.
“And here’s your first day of school.”
The show continued, it must have been hours. Occasionally I’d ask her to pause or jump back to some point. And I got her to tell me about myself over the years. Some bits I remembered, others were like a dream. Alix’s memory was, naturally, perfect.
“What about that beach holiday we had in… ?”
“Ocean Grove? Here you are.” The shot was of us pulling up to the house, from inside the car, and I suddenly felt apprehensive.
“Oh no,” I muttered.
“That’s right!” Alix continued in her neutral tone. “You had a bit of an incident, didn’t you?”
And it all came back, the way we’d got lost, the hot car, I’d needed to pee and my parents, who had been fighting, told me to hold it, through gritted teeth. And somehow, just as we’d arrived, I was so relieved that… well, it all came flooding out.
A hot wash of shame engulfed me. “Why didn’t you protect me from this?!” I whined at Alix.
“Well,” she began. Was that a new terseness? My loving Alix?
“Well. You have to take the good with the bad, Callie! You’re sixteen now.”
“This is upsetting me, don’t you care?”
“I do care, but these are some of our most intense memories…”
And I knew what was next. “Why are you showing me all this?” I wailed. It hurt, almost physically.
Right. That’s it. Decision made. Delete.
I opened a secure browser and started typing. Birthdate, an iris scan, even a quick DNA check via my keyboard’s bloodprick sensor. Then I typed the key, three separate times, and it was done. Who wanted a government job? Travel was overrated, probably. Now I could get on with my life. Free. With my best friend and confidant by my side.
“Alix?”
“Hello, I’m Alix, and I’ll be your A.I. What’s your name?”

My short story The Key first appeared in Maintenant 13: A Journal of Contemporary Dada Writing and Art, published by Three Rooms Press.
Photo by Samuel Zeller on Unsplash

In the 3.30am
wake to the lurch of
oh no
drinking again
lacerations and sharp cuts
hatred and harm
half asleep
haven’t
don’t do that any more
old habits
the gut of fear
try to make good
fingernails flayed raw
fault lines begin
deep
where the mouth worries
spoiling each side
it’s raining
and blowing
spinning through grey air
not sure
we’re in Kansas anymore
Image: cyclone scene from The Wizard of Oz stolen from https://www.ifc.com/2009/08/movie-tornadoes