
keep getting glimmers
of the before feelings
I can
double take
recall
somethinglike
the way
it was going to be and I thought
thoughttried triedthought so hard
didn’t I
I guess that moonflower
still exists because
look
they’re still reaching for it

keep getting glimmers
of the before feelings
I can
double take
recall
somethinglike
the way
it was going to be and I thought
thoughttried triedthought so hard
didn’t I
I guess that moonflower
still exists because
look
they’re still reaching for it

in the spaces in
sleep I haiku, recall but
one line when awake
another night in
sweaty sheets I plot a whole
novel, also gone
every day I try
to mark time, just moments, brain
leaps, thin, minnow-bright
beach-star dances, dawn
waves enjoying one final
twinkle before fade
Photo: Josie Tebo

listen to the wind
restless, tepid, tossed free
the babble of summer parties
floats by
I
throw myself like a fishing line
into darkness and back, back
in time to back-lane bins and jasmine
scented evenings
encasing friends
warm drunkeness
bottoms dimpled by
milk crate imprints and the tiny
gravel of old cement
crumbing bare feet
swished aside
long cotton skirts
eyes glance up
that window high
mine
that window high
eyes glance up
long cotton skirts
swished aside
crumbing bare feet
gravel of old cement
milk crate imprints and tiny
bottoms dimpled by
warm drunkenness
encasing friends
scented evenings
in time to back-lane bins and jasmine
into darkness and back, back
throw myself like a fishing line
I
float by
the babble of summer parties
restless, tepid, tossed free
listen to the wind

I don’t want another child. I was never especially maternal. So I never thought I’d be someone to mourn the passing of the “baby years”. I used to read stories of women’s sadness at saying goodbye to this time with, if not scorn, then at least bemusement. But you had those years with them, what gives? But now, I’m here.
My youngest child turned three near the start of this year, next August, he’ll start school. I went back to an office job at the beginning of June. It’s a seismic shift in my life, after 4.5 years of being a freelancer and stay-at-home-parent.
This week it’s been hitting me: the baby years are gone.
I thought I’d be pleased, entirely. I have tried to enjoy each step of my two children’s development and I’ve always relished the next stage, skipping ahead, looking forward without regrets. I don’t want to hold them back, or fix them in time. I love seeing them grow and become more independent. I see my biggest success as a parent displayed in their increasing ability to do without me.
And yet, and yet…
I find myself tearing up with regrets. Yes! Me! Maybe it’s a natural backlash to major change to glance back over one’s shoulder as your train leaves the station, wondering if you should have stayed one more hour, one more day.
A passage in a novel described a new mother “kissing every inch of her baby’s body” and had me welling up in tears. Did I ever do that? Did I stop, and take the time to explore his skin, lip-print by lip-print until I’d covered it with an invisible velvet of love? It wasn’t the author’s intention (I suppose) but, like all the bestworst parenting articles I read, it had me questioning myself.
Because maybe… I just got through? Maybe I didn’t stop and simply exist in love. Maybe I didn’t even feel that perfect, gentlefierce babylove they describe in stories. I am not doing mum-guilt here. I honestly do not remember.
I do remember feeling anxious, feeling the need to get things done. Being miffed by the books that said “leave the housework!” because, what is worse than sitting, pinned to the couch by breastfeeding and contemplating a huge, dusty mess? Ugh. I got things done, I met my friends, I did the grocery shopping, I went for long walks listening to music and exploring the suburb while the baby slept. I walked an hour a day, easily. I read books and newspapers. I produced a 48-page quarterly magazine for the local NCT branch. I cooked food and kept the baby fed. I went to the pub occasionally. I organised minor repairs and renovations on the house. I went to the park, to baby swimming, to coffee dates and tea with mates. Did I ever just kick back though, suffused with joy in my small perfect creation? I don’t know.
Probably I did? And maybe I still do. We’re all attempting to be more mindful these days after all.
Perhaps it’s that the moments of quiet joy are just that – so quiet and humble and unmemorable. You can’t recall them, much less write a whole 750-word column about them, unless you’re really smug?
In another novel, the mother regards her newborn as “the most perfect thing she’s ever seen”. OK it’s another one of those clichés, but I don’t know if I ever felt this either. Others must feel it, I believe that. Was I too busy, too sensible, too practical, too nervy to have allowed myself to feel that pure love and contentment? Did I have postnatal anxiety? I do remember describing that first year of maternity leave in London as “the best year of my life” and it was. I went back to work, eventually moved countries and had another baby, then spent another busy “maternity year” and beyond. In many ways, things have just got better and better.
But I can’t remember. Maybe it doesn’t matter. But now, I never will know for sure…
So I’m mourning a little. And it’s somewhat unexpected. Goodbye baby years and all your chaotic, scary, busy intenseness and boredom that means I can almost only remember rushing about and enjoying myself, sometimes frustrated and upset, other times happy and occupied but almost always with something-to-do rather than sitting in a post-natal haze of rosegold glow. Ahh, maybe that’s just my own version of it.
Whatever it is, or was, I find myself surprisingly sad to say farewell to that bright pocket of time as my life moves, ever swiftly, onwards.

In the forest
in the morning
the mist lies heavy
and protects the trees
hiding sprites
wrapped in soft grey wisps
of light
undetectable to the eye
I think they won’t hurt me
but better not
give cause
step light
fly swiftly by
onward and through
a mere visitor
clearing foggy mind
it’s not quite
my place today

And I thought about what someone far away was doing
imagined
a length of yellow-white fabric with words printed on it
fluttering near a bedroom window
Someone flying long-haul in a plane through dark sky
right now, that twilight world of
stale-cold air, engine hum, the fittings’ faint rattle and the rustle
of other people
A view over the rooftops of buildings
(see the city’s ripped back sides)
Stepping alone into an early-morning kitchen
he puts on the light
feeling the unheated floor and seeing crumbs on the benchtops
makes no move to clean them away
The pattern: blush of bright pink, royal blue and orange
imprinted behind closed eyes
intersected with black, it’s a piece of clothing
that existed cheaply, wonderfully, in a previous decade

the earth will take back
in heat and ordure
the shredded plastic bags
and bottle caps.
unbeautiful bits of nature
pond dust, saline scum and
damp piles of leaf and blossom scrofula
look like horror
brown-shiny beetles and chokey cockroaches
creep slow on sickly stick-legs
they take back the dirt
one insect footstep at a time while
seahorses attached to Q-tips
and seagullpigeons in rubber bonnets
are not raging like us
no
they merely persist
hoping to discover
that rubbish-island in the sea
the size of New South Wales
(because it’s bigger than Texas now)
– must be terra nullius for them
This poem was inspired by the novel Arkady (need to get back to polishing up my own dystopian story one of these days!) And also somehow by Singapore (pictured), a place where the lush fecundity of nature mashes with the nasty detritus and pollution of human industry.

leaked my heart through my eyes
a soft blue sludge like
Blue Crush slurpee
what she couldn’t see
was the thaw
of a long-petrified glacier
that had been waiting
for her
release
behind those same bruised-blue-raspberry eyes
a sand-blasted
desert over which wind
harshly blows
eroding
thought and feelings
smoothing surfaces that
emotions slide off
like a Dali pocketwatch
I sigh, it’s time
to wait, redux
So I kinda bombed out on poetry month. It all got too much with the travel and everything. I was going to come back and write up the ones I missed but I don’t know if it’s really worth it. Some big changes ahead as I’ll start a new job in a few weeks. I need to spend the time in between contemplating what I want to do with my poetry and writing and/or HOW!
Photo: Moon jellyfish in Singapore Oceanarium by Claire Doble

I’m threading chunks of time on a string
bloody purplish gristly cubes
they slip sinewy and slick on my fingers and
stain the sheets
spatters of strawberry red
give off the sexy-filthy intimate smell of beach coves away from the wind
where it’s warm and protected and the ocean’s sweat lazes in postcoital gentleness
while the sound of the breakers booms a satisfying distance above, beyond
seagulls cry and tease the ragged exciting air up there
but we’re safe here
except for
those grisly bits of meat, the bits of time I want to eat
stick in my teeth
and taste of
juniper berries and suncream and peanut butter and aged reisling today
tomorrow it’s salted caramel, meat pies, prosecco and lonelieness
so beautiful that
I want to spew them back up and taste them fresh, yet
on each regurgitation they’re more grey and flavourless
senseless time, and time rotting on my plate
Skipping ahead to day 26: a poem that includes images that engage all five senses.

Newtown smells like limes
cocktails and
the soft dark night
smudge of bodies
we’re the old ones now
she says
we talk
gin and jogging, noticing
how I hold my friends
a physical thing
while their fingertips are laid
so gently in my head
like kisses, kindness
and life’s gentle wingbeats
whisper
I’m home. I’m home
Day 19 (sort of) – a poem written based on a paragraph that recounts a scene from everyday life