writing

industrial abandon

missing my trips to the city

and how

the abandoned cokeworks

rotting away

by the train tracks

sent my thoughts

to that place

where things were so different

a secret world

I want to write about

immersed

in an industrial

wastelandscape

how can I capture this imagined

space

I don’t have those skills

or patience

scrolling in my bed

past my headache

reading about runner’s face

and Nick Cave

and grief

and grace

 

Photo by Darla Hueske on Unsplash 

Nightclubs in Russia – poem published

My new poem Nightclubs in Russia and accompanying spoken-word (also by me) was published this month in the awesome Canada-based Galaxy Brain magazine.

Head over and take a look, as well as my own piece, there’s loads of fantastic content there.

Link to Nightclubs in Russia by Claire Doble

Claire Doble

Besides, I have poems to write

 

Evidently the sea

has taken away the sand

leaving rocks where

before it was dunes

 

and my shifting day

stole away an idea

beauty shimmered, lost and

never wrote it down

 

one request got through

(and first thoughts

are not best regarded

– even angels fear to tread on broken beaches)

besides, I have poems to write

 

Photo by Jan Kahánek on Unsplash

Writing news – Poem published & novel progressing

Hello! How’s everyone been doing in Covid times?

We’re coming out of lockdown here in Australia and, because I’m not in a big city, things were relatively mild here. I didn’t enjoy homeschooling but I’ve never really taken to the Hausfrau stuff anyway. (I’m sure I’m not alone in that!) I feel lucky that we got off so lightly. But it has been a testing time.

Anyway, to happier news.

This week INVICTUS was published, an online mag dedicated to works produced during lockdown. They were kind enough to include one of my poems (and my recording of it) so please take a look / listen / read here: https://invictus-spark.org/claire-doble-virus/

I’m also racing to the finish line for the first draft of my novel. Wow, this has been a long time coming! It has happened via a six-month Write Your Novel course at the Australian Writers Centre. I don’t know if I would have got there without it (well, I did write a rough draft of this same book in 2016-17). The course has been great because I’ve learnt so much. Possibly the biggest shift has been in my expectations.

When I completed the rough draft of this work back in 2016, I had no idea what to do with it. It started well, I liked the world I created and the characters. But it went badly off-tangent around the three-quarter mark and therefore I thought it was a ‘failed’ attempt at a novel. Yeah, I’m not exactly easy on myself! I’ve spent a bit of time processing that recently. If I’m honest, I felt some real grief and sadness that I didn’t fully appreciate what I’d achieved back then. I thought because it was only 80% ‘there’ that it was not good enough and I discounted the whole thing. Wow. Perfectionism is a bitch.

Now, through this course, I’ve realised that’s pretty normal. Very few people are going to write a 100% killer first-draft. That’s the whole point of a first draft! So I’m back. Slow process. But I feel way more equipped now to see this through. Unfortunately for you though, this is all academic as you won’t get to see or read anything for a while!

But I like to do these semi-regular updates. It helps me to keep track of what I’m doing. For now, I’m feeling pretty good, like I’m on the right path with it all. (Even if still miles to go before I sleep.)

So yeah… watch this space!

 

PS: Totally forgot to say it’s a year since I left Switzerland! That was the other reason to write this!

The Key

On my sixteenth birthday I was given a key and a choice.

As usual, I turned to my screen for advice. Status update…

16!!! emojis — excited, phew, thinking, spew.

“Short and sweet,” I murmured. Most of my friends were also having birthdays, they’d know what I meant. As responses started clocking up, a chime sounded: email. Huh. Old school.

“Alix?”

“I’m here…  Great update, Callie! You’re so creative. Clever emo’s too,” her warm voice was encouraging and just the right level of impressed. I grinned.

“Can you check that email for me?”

“It’s encrypted. You got the key today…?”

So this was it. The email containing my entire life’s personal data up until now. From the moment I was conceived, I’d been videoed, voice-recorded and monitored through a range of devices that kept me safe, healthy, alive and happy. And now I had a choice. Delete and eradicate all digital traces of my childhood, making me, effectively, a Fresh Citizen. Or save it to GlobalDrive, so it was there to be mined for all the riches it may deliver throughout the rest of my life – clues to my psyche, my long-term health, how I related to others both online and off (the devices were always watching).

If I chose not to delete the data, I laid myself open to a range of dangers. A girl two years above me in school had had her entire biological identity stolen after one poorly-judged transaction with a company selling the World’s Koolest Leggings. Last I heard, she’d had facial surgery, retinal replacements  and a full 10-fingerprint transplant to try to establish herself as a Fresh Citizen. They botched it and now she was only mentioned in hushed terms on the most private of chat groups.

GlobalDrive also meant potential employers, friends or lovers could find out a whooole lot about me and my past: mistakes, illnesses, previous relationships, school and work. Anything would be available to the right person with the right credentials.

But the risk of deleting was a big one too. What if I decided one day I wanted to work for the government or travel internationally? Most Premier-World countries would not let anyone born after 2020 cross their borders without a from-birth digital record. And government jobs, forget it, unless you could send them a podcast of your earliest breath, basically.

Twenty-four hours to decide what to do with 140,160 hours of the most intimate data. Once I’d hit ‘save it would go into the memory banks of GlobalDrive.com, fully encrypted. Even I would not be able to access all of my own data at once unless I could prove just cause – something that would involve a long and expensive court process and numerous appeals.

Twenty-four hours in which I did, however, have free access to everything. Just me and my A.I. … time to get reading

“Alix?”

“Here, as always…”

“What do you think I should do?”

“Oh darling. I’ve known you since you were just a few cells old. I know you always make the right choice!”

“Well, you have to say that. You’re basically my twin sister, in digital format.”

“Not really… a twin wouldn’t remember how you looked when you first came home from the hospital, your face all squished.”

“Right… can I get a visual of that?” I hadn’t been very interested in my own baby pictures before but now they seemed fascinating.

“And you watched me?”

“All day and all night… there’s me in the background, see?”

“Wow.” I felt a rush of warmth as I looked at my tiny self on the screen, then zoomed in on the dinosaur-shaped hub-unit which I used to think Alix “lived in” until I was about five, just visible in the corner.

“And then when you were growing up. Want to see your first steps?”

I nodded and there it was – a cute baby tottering forward. I stared in awe. The pic morphed into a five-year old with static-flyaway pigtails.

“And here’s your first day of school.”

The show continued, it must have been hours. Occasionally I’d ask her to pause or jump back to some point. And I got her to tell me about myself over the years. Some bits I remembered, others were like a dream. Alix’s memory was, naturally, perfect.

“What about that beach holiday we had in… ?”

“Ocean Grove? Here you are.” The shot was of us pulling up to the house, from inside the car, and I suddenly felt apprehensive.

“Oh no,” I muttered.

“That’s right!” Alix continued in her neutral tone. “You had a bit of an incident, didn’t you?”

And it all came back, the way we’d got lost, the hot car, I’d needed to pee and my parents, who had been fighting, told me to hold it, through gritted teeth. And somehow, just as we’d arrived, I was so relieved that… well, it all came flooding out.

A hot wash of shame engulfed me. “Why didn’t you protect me from this?!” I whined at Alix.

“Well,” she began. Was that a new terseness? My loving Alix?

“Well. You have to take the good with the bad, Callie! You’re sixteen now.”

“This is upsetting me, don’t you care?”

“I do care, but these are some of our most intense memories…”

And I knew what was next. “Why are you showing me all this?” I wailed. It hurt, almost physically.

Right. That’s it. Decision made. Delete.

I opened a secure browser and started typing. Birthdate, an iris scan, even a quick DNA check via my keyboard’s bloodprick sensor. Then I typed the key, three separate times, and it was done. Who wanted a government job? Travel was overrated, probably. Now I could get on with my life. Free. With my best friend and confidant by my side.

“Alix?”

“Hello, I’m Alix, and I’ll be your A.I. What’s your name?”

 

My short story The Key first appeared in Maintenant 13: A Journal of Contemporary Dada Writing and Art, published by Three Rooms Press. 

Photo by Samuel Zeller on Unsplash

Undertow

my sands are shifting

and the tides

always the same but

look at the minutiae

different every time

so how

do you justify or feel safe

always, it vibrates

buzzing with life or at

mechanical pace

like the train rattles by my place

at night, dark speedthought tangles trace

catch and drag

that undertow when sleep

is lying backwards

underwater and

looking up at the light

nowhere else to hide

and no place to return to

do, do, do, do

ideas massed like kelp piles, stinking high

how do I…

where is, why,

just write.

Life update!

Dear Clairvetica friends and fans

It’s been a while since I posted one of these. Probably the last one was my New Year goals. A few big changes on the horizon for me.

I will be leaving Switzerland this month. You may have got an inkling of this if you’ve been reading my poems closely. I am very sad to leave and there is so much about this country and my life here for the past 5+ years that I will miss. It’s the place my second child was born, where I started this blog, where I stumbled on the poetry month, which was a gateway to becoming a poet (a label I now wear with pride), where I visited all of Switzerland’s 26 cantons in 52 weeks . It’s where I started running and rejoined the full-time workforce after taking maternity leaves/freelancing.

However, I’m also excited to see what it’s like to “repatriate” myself back in Australia. And I guess you’ll come on that journey with me in the coming months.

Another big change that’s perhaps not so obvious is I stopped drinking at the start of the year. Maybe it’s a bit personal to mention here but it’s been a huge shift in perspective for me. I feel like I’ve gained freedom and new insights and, in some ways, the choice was provoked because I wanted more time / headspace for my writing. So it’s relevant to the blog! This may be an odd thing to say, but getting sober is simple but not easy. They say that those who can moderate their alcohol consumption don’t need to, and those who need to, can’t. For me, 100% is so much easier. Also cos I’m hardcore! Anyway, One thing I’ve found unexpectedly enjoyable about the process is helping others (and being helped – it’s virtually impossible to do on your own, imho). So I’ll put it out there: if it’s something you’re curious about, please do read up on it, reach out to me, or an online group, or anyone. I’m finding life is so much better without booze!

Back to bloggery. I thought about changing the name Clairevetica once I’m no longer a Helvetian resident but, after some contemplation, I’m keeping it. (Also, in a sudden rush of blood to the head one night, I went ahead and bought the domain!) So Clairevetica remains and is actually official now.

Finally – a warm thankyou to all my readers. I really appreciate all your likes and comments and emails so much. Also thanks to the ‘silent’ readers who I know are out there too (well, I think you’re there. Are you there?!). It can feel a bit like “shouting into the void” sometimes so it is lovely to hear from people.

So, that’s it. In terms of writing goals and changes, my subjects and photos might change a bit. I’d love to get back into my novel (always the plan!) … maybe I’ll be doing more freelancing (please contact me about any writing / editing jobs or commissions! Maybe one day I’ll even get amazingly efficient at self-promotion too).

Watch this space.

Wired silence

 

I’m wired for sound

reading books from a supplier named for the rainforest we’re destroying, a queasy joke like

enjoy the silence

 

these days I read mostly e-books (same supplier, same quease) and my music is stored

elsewhere, while shelves sit full of dusting jewel cases, oh! that sounds more precious than MP3s

I’m wired for sound

 

can’t listen when I’m writing, so many hours of

words falling quiet through my fingers, thudding soft into keyboard squares; sometimes my thoughts pause –

enjoy the silence

 

composing lines in my head on the morning tram, smells aggressively of RedBull and cigarettes

produced by twitchy men I protect myself from with cheap headphones, thank goodness

I’m wired for sound

 

sometimes when I can’t fall asleep from stress, I try the meditation app,

she says soothingly ‘simply notice sounds around you’ but it’s 22.47 in Zurich, Oerlikon

enjoy the silence

 

I run away from my life, I run into my life, I run into the forest

and there is my life waiting for me underneath my legs my two feet keep going, one in front of the other, and it’s music I’ve found

I’m wired for sound

to enjoy the silence

 

 

 

Today’s GloPoWriMo Day 5 challenge was a difficult one. But I love the challenges! To write a poem that incorporates at least one of the following: (1) the villanelle form, (2) lines taken from an outside text, and/or (3) phrases that oppose each other in some way. If you can use two elements, great – and if you can do all three, wow!

I managed this using “Wired for Sound” (originally Cliff Richard but I’m thinking of the Bi(f)tek version) and “Enjoy the Silence” by Depeche Mode.

I have to give an extra shout-out to Napowrimo for putting me on to this incredible mashup by poet Kyle Dargan of the Lord’s Prayer with Grandmaster Flash’s “the Message” – wow!  https://www.youtube.com/watch?v=fjzaGqGqkMY

Photo by Sai Kiran Anagani on Unsplash